Tom Moon
Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.
He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.
A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.
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On the 50th anniversary of the band's landmark album Green River, we dig into how the band formulated its singular sound, its legacy and how Creedence's music still resonates today.
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Thom Yorke has always had a dread of technology. But the Radiohead frontman's latest album, ANIMA, explores that dread with the help of technology.
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The legendary Brazilian inverted the cacophony of samba, creating a worldwide sensation, forever influencing the sound of an entire country.
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The 50th anniversary Jazz Fest: The New Orleans Jazz & Heritage Festival box set, out now, focuses on jazz legends and rising stars from the region.
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Pratt's music has an idyllic, tranquil, elusive quality. In her realm, the smallest sighs or vocal gestures can unlock alternate narratives, meanings, implications.
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Drummer and composer Antonio Sanchez's album, Lines In The Sand, is a cinematic homage to the journeys of migrants heading to the U.S. border. It's a formidable, epic series of compositions.
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This year, fueled by the vinyl resurgence and recent deaths of major stars, the field of archival music percolated with releases of music both well-known and relatively unknown.
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Nobody witnessing the turmoil of 1968 was waiting around for a salve like "The Weight" — or could have predicted how fundamental those songs would become.
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The 71-year-old raconteur returns to the old songs and inhabits the guises of death-haunted bluesmen to speak to the issues of the current era.
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For the past 18 years, the Bad Plus, has been playing catchy, high energy music and redefining what a jazz trio can be. This year pianist Ethan Iverson announced he is leaving the trio. But contrary to popular belief, Bad Plus found a new pianist and released a new album.