Tom Moon

Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.

He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.

A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.

And now, a moment of appreciation for the under-assistant recording engineers and studio gofers who toiled in anonymity in the dimly lit studios of the past. They didn't just get coffee — they were on site, taking notes about who played what instrument on which track, writing down the dates of sessions, and making sure that those dates were clearly marked on the tape boxes. They did this for albums that became classics. And singles that never left the garage.

An anthology devoted to early Nat King Cole recordings was recently released, and it offers a new window into his artistic development. The collection is called Hittin' the Ramp: The Early Years (1936-1943), and this massive 7-CD, 10-LP package is clearly aimed at obsessives. It's a deep dive that traces Nat King Cole's evolution — from smooth, unflappable piano player into a singing star with an endearingly smooth style all his own.

Updated at 10:42 a.m. ET

There are lots of firsts and superlatives in the career of Ginger Baker, the drummer and bandleader who died Sunday morning at age 80. His death was announced by his family on social media; they had said on Sept. 25 that he was "critically ill," without giving details.

The wild-eyed son of a South London bricklayer, Baker was the engine room of rock's first and still most revered power trio, Cream. He played a similarly key role in shaping the more finessed work of one of rock's first supergroups, Blind Faith.

There's been no shortage of great music by soft-spoken women playing acoustic guitar in 2019. But if you pay attention to one song in that vein this year, let it be "The Fading" from Joan Shelley's breathtaking latest album, Like The River Loves the Sea. It's an elegy tuned to the present moment hitting ominous notes of environmental dread, glaciers disappearing, things breaking down. You can tell that Shelley is rattled, but gracefully sidesteps despair on the refrain.

Hidden inside the three minutes and eight seconds of "Holyfields," are the basic schematics for i,i, the deceptively ambitious fourth Bon Iver album.

The official history of rock and roll in the late 1960s is usually written festival-to-festival, Fillmore lineup to Fillmore lineup. Here are the reputation-making gigs, here are the moments when youngsters became rising stars.

In his vast catalog of music, Radiohead's Thom Yorke has trembled like a broken man on his knees. He has screamed in tormented six-part harmony; he has manic-whispered diaries worth of existential fear. Still, he just can't shake the techno-dread. Most recently, that dread has manifested in Yorke's third solo project, ANIMA, released on June 27.

From a casual distance, the music of João Gilberto sounds like it might belong to that ancient realm known as "easy listening."

This past May, New Orleans Jazz & Heritage Festival celebrated its 50th anniversary, attracting an estimated 475,000 people to its annual celebration of Louisiana music and culture. To mark this milestone, Smithsonian Folkways has released its Jazz Fest: The New Orleans Jazz & Heritage Festival box set that includes rare live recordings and photographs of the momentous gathering.

The Best Reissues Of 2018

Dec 19, 2018

The vinyl resurgence took a giant step in 2018. Once regarded as a novelty niche market, it became a serious change agent in not just new releases, but the increasingly active realm of archival music.

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