Stephen Thompson

Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for NPR programs such as Weekend Edition, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his girlfriend, his daughter, their three cats and a room full of vintage arcade machines. (He also has a large adult son who has headed off to college but still calls once in a while.) Thompson's hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers (who returned the favor by making a 22-minute documentary about his life) and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

In this era of social distancing, few celebrities have carved out a social media presence as appealing as those of Emily Blunt and John Krasinski. They're married, so they get to share their isolation — and they've been filling the time with a kindhearted weekly YouTube show they call Some Good News.

It's tempting, when assessing great creative works, to funnel all credit to a lone genius — a writer, a singer, a director, an artist, or a name that sits atop a marquee. It's so much easier to be spared the task of teasing out greatness from an interconnected web of contributors, partners, helpers, teachers and organizers. We can accept a songwriting credit that reads "Lennon-McCartney," but our icons — our geniuses, our auteurs — more often stand alone, lest their stars seem diminished.

Adam Schlesinger, one of the most prolific and decorated songwriters of his generation, died Wednesday from complications caused by COVID-19. He was 52.

His death was confirmed to NPR by his lawyer, Josh Grier.

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Conor Oberst has kept busy since the last Bright Eyes rec

The Austin 100

Mar 17, 2020

Among the many large gatherings to be canceled due to concerns about the spread of coronavirus, the SXSW Music Festival has arguably the largest impact on up-and-coming musicians — artists from around the world who'd been scheduled to perform this week around Austin, Texas. The festival has a truly global reach, as more than 1,500 acts were scheduled to perform; they represent a large and daunting world of music that spans many dozens of countries, not to mention countless genres and subgenres.

Hometown: Puerto Rico

Genre: Folk

Why We're Excited: Within the Puerto Rican music world, Andrea Cruz is a throwback: She constructs her softly flowing folk songs around acoustic instrumentation and lyrics that reflect on humanity's connection to the natural world. On 2017's Tejido de Laurel and the singles that have trickled out since, Cruz's sound leans hard into a kind of rustic lustrousness, enriched by arrangements that exude both subtlety and sparkle.

Every year, NPR's Stephen Thompson compiles The Austin 100 — a playlist of his favorite artist discoveries ahead of the SXSW Music Festival. Though this year's festival was canceled due to concerns about the coronavirus, The Austin 100 will still publish on Monday, the day the music performances were supposed to begin. NPR's Renee Montagne spoke to Stephen Thompson about a few of the artists featured in this year's roundup.

You can stream this playlist via Spotify or Apple Music.

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Short of Lana Del Rey, it's hard to imagine a modern pop star better suited to James Bond themes than Billie Eilish

Last year, the Oscar for best original song was preordained: It was going to "Shallow," come hell or high water, in spite of the clear and obvious superiority of Kendrick Lamar's "All the Stars." That was an unusually strong year for movie songs — you could have put together a strong slate using only tracks that didn't get nominated — but the category didn't exactly hold the movie world in suspense.

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