Ever Wonder About That 'Old Truck'? 2 Brothers Wrote Its Backstory

Feb 9, 2020

Jarrett and Jerome Pumphrey have been "making stuff" together since they were kids. They grew up in a family of four brothers, and from a young age, Jarrett says, he and Jerome "just clicked."

Their latest project is a particularly special one, because it's the first time they've created a book that they both authored and illustrated. Inspiration for The Old Truck came when Jerome was driving through central Texas, on his way to visit Jarrett. As he passed farm after farm, he saw old, aging trucks sitting out in the fields.

"It's such an iconic image," Jerome says. "But it makes you wonder: What's the story that could be behind that truck or the family that lives there?"

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So the brothers decided to write and illustrate a story about a family and a farm — all centered around a pickup truck that more or less stays in one place throughout the book. Around the truck, seasons change, years pass, and before long, the little girl from the beginning of the story has taken over the family farm.

Making every spread feel different was "a bit challenging" Jerome says. But by placing the truck consistent across every page, he and Jarrett "were reinforcing the idea of the truck being a permanent part of life on the farm and in the girl's life."

The Pumphreys handmade more than 250 stamps to illustrate the book. "We wanted to create something that would feel timeless," Jerome says.
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The brothers handmade more than 250 stamps to create the artwork in the book. "We set up these rules like: We wouldn't use the same stamp on the same spread multiple times." Jarrett explains. The goal was to "make sure that each spread was unique and special."

They'd work together at Jarrett's house — he and Jerome now live five minutes apart in Austin, Texas. "We do have disagreements — obviously we're brothers and we don't see eye to eye on everything — but for the most part ... we can find a place where it just clicks," Jarrett says.

It helps that they've "been making stuff together for a really long time," Jarrett says — and that their family history offers them shared points of reference and inspiration.

"We had all these women in our lives growing up — our mom, our grandmothers, our great grandmother ... strong women who really showed us what it was like to persist," Jarrett explains.

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Both of their grandmothers worked for the U.S. Post Office in the segregated South. "They were black women working in a place that was dominated by males, so they were putting up with a lot," Jarrett says.

One of their great grandmothers picked cotton and saved and saved until she could finally purchase her own farm in Louisiana — and the family still owns it. "She said: Never sell that property because she picked a lot of cotton to pay for that. ..." Jerome recalls. "I really respect that and would like to accomplish some things in my life that I can look back on and be really proud of."

Jarrett says his great grandmother's tenacity is something he was lucky to have learned growing up, and he hopes to pass it on to his own children: "Stick to it, work hard, get what you want to get, and do what you want to do," he says.

Jarrett Pumphrey is now the proud owner of his own old truck — a 1956 Ford F100. You can follow his progress restoring it here.
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And speaking of getting what you want to get ... after the brothers finished working on the book, Jarrett was inspired to go out and get his own old truck. "It's a 1956 Ford F100," he says. "I started working on it right away — I stripped it down. It's all the way down to the frame now. ... It's a lot harder in real life to restore a truck than it was in the book."

Jarrett's hoping to get his truck up and running by the summer. He wants to drive it around to local schools, where he and Jerome will be sharing the story of The Old Truck — about family, farm life, hard work, and persistence — to a new generation of kids.

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Barrie Hardymon edited this interview for broadcast. Beth Novey adapted it for the Web.

Copyright 2020 NPR. To see more, visit https://www.npr.org.


We're going to spend some time now with a beloved American singer and songwriter. Through a career lasting over four decades and a life that's had some intense highs and lows, he's taken quite a journey.


JAMES TAYLOR: (Singing) I've seen fire. And I've seen rain.

GARCIA-NAVARRO: James Taylor has experienced enormous success, selling over 100 million albums since his record debut in 1968. But in a new audio memoir, he recounts some harrowing details of his youth, struggles with drugs and alcohol addiction and stays in psychiatric institutions.


TAYLOR: Audible Originals presents "Break Shot," written and performed by me, James Taylor.

GARCIA-NAVARRO: "Break Shot: My First 21 Years" covers just a sliver of a full career. Later this month, James Taylor will release a new album, "American Standard."


TAYLOR: (Singing) Moon river, wider than a mile...

GARCIA-NAVARRO: So there is a lot of James Taylor to come. And he joins us now from our studios in our New York bureau. Welcome.

TAYLOR: Thank you, Lulu. It's great to be here.

GARCIA-NAVARRO: You became famous very early. Your music really spoke to a generation that was struggling with so many societal changes. Was the music you wrote then sort of a refuge from the turbulence? Or was it a way to deal with it?

TAYLOR: I guess both. I think that a lot of my music actually is celebratory and basically positive. But I'm known best as sort of music therapy kind of material. And it is true that I did sort of physician heal thyself kind of thing.

GARCIA-NAVARRO: I'd like to play a short excerpt from "Break Shot." And then I'll ask you to expand on it in a moment. But let's listen first.


TAYLOR: Memory is tricky. We remember how it felt, not necessarily how it was. Songs grow out of memories. I have a running joke that I keep writing the same six or seven songs over and over again. I think many of us keep trying to work out exactly what happened in our early years. We want to go back and fix something that has already vanished and can never be corrected.

GARCIA-NAVARRO: You go on to say you can correct it in a song, maybe even slap on a happy ending. Give me an example of a song that helped you through a difficult memory.

TAYLOR: Oh, not necessarily a memory, just a passage in my life - a song, for instance.


TAYLOR: (Singing) Hey, mister. That's me up...

"Hey, Mister, That's Me Up On The Jukebox."


TAYLOR: (Singing) I'm the one that's singing this sad song.

That's a tune from an album called "Mud Slide Slim And The Blue Horizon." And that song is basically a way of dealing with the shock of being a private person going public.


TAYLOR: (Singing) Let the springtime begin. Let the boy become a man. I done wasted too much time just to sing you this sad song.

GARCIA-NAVARRO: Did you find it jarring at the beginning?

TAYLOR: Yeah. I found it - you know, of course, it's exactly what I wanted. I wanted to be successful. And I wanted to get people to hear my music. I wanted my music to make a difference to people. But at the same time, you know, making yourself the product, it's very distracting. And I sort of dealt with that a couple of times by writing songs like "Hey Mister," a song called "Company Man," another one called "Fading Away." These are songs that talk about being in the business.


TAYLOR: (Singing) The boy would be a businessman. And he signs the bottom line, singing company man, do what you can with my name. Rock and roll man...

GARCIA-NAVARRO: There are some good stories in this. You have your first demo that you're playing at Apple Records. And that was the Beatles' label. And there's this very funny account of someone shouting out, is there a Beatle in the house? - while you are there to do your demo. Can you tell that story?

TAYLOR: Well, yeah. The person who basically introduced me to the Beatles and who got me signed to Apple Records was my producer and manager and lifelong friend, Peter Asher. Peter Asher had just taken a position with Apple Records, finding people to sign at the very moment that I was looking for a record deal. And it was just an impossibly fortuitous big break. And Peter had said, let's go over to Apple Records and see if we can find a Beatle to play some music to. And it turned out that Paul McCartney was in the building, and so was George Harrison. And they took a listen. They gave Peter the green light to sign me and to record me.

GARCIA-NAVARRO: Were you nervous auditioning for the Beatles?

TAYLOR: I'm nervous now.


TAYLOR: I mean, I was like a Chihuahua on methamphetamines. I was a jumpy young man.


TAYLOR: There's something in the way she moves or looks my way or calls my name that seems to leave this troubled world behind.

GARCIA-NAVARRO: You also recount something that happened after you were 21. But it is sort of a very astonishing anecdote about what happened the day before John Lennon was killed.

TAYLOR: I had an apartment in the building just to the north, on Central Park West, of the Dakota, where John and Yoko had their their flat. And I heard the shots fired. And when I saw who the assassin was, I realized that I had met him the day previous. I'd been coming out of the subway at 72nd Street, which is right by the Dakota. This guy attached himself to me. He was running his mouth, glistening with perspiration. And I was alarmed by this guy. And I sort of scraped him off and sprinted up the steps to my building. I realized after I saw it on the news that that was Mark Chapman.

GARCIA-NAVARRO: The man who killed John Lennon. What was it like delving back into this early period in your life? Did you learn anything about yourself?

TAYLOR: You know, it did sort of bring things to a close for me. And it's a very interesting process to go through - to take your early days and basically distill them down to a 90-minute monologue. It really brought things into focus. I think it has been helpful in an interesting way, to me.

GARCIA-NAVARRO: Before we let you go, we'd like to whet people's appetite for your new album that comes out at the end of the month. Do you have a favorite on this album that you can tell us about?

TAYLOR: Well, there's a sort of simple ditty of a song, really, that no one had ever heard, that was part of a cartoon from my youth called "Katnip Kollege," both spelled with a K. It was about a college full of swinging cats - one who's a dunce and can't get rhythm but suddenly is bit by the rhythm bug and suddenly swings. This song had been stuck in my memory for these 50 years or 60 years.

GARCIA-NAVARRO: What's it called?

TAYLOR: It's called "As Easy As Rolling Off A Log."


TAYLOR: (Singing) As easy as rolling off a log, I found it easy, baby, to fall in love with you.

GARCIA-NAVARRO: That's a very happy song.

TAYLOR: It is, too.

GARCIA-NAVARRO: Is that your state of mind now, would you say?

TAYLOR: Sure. I - you know, I guess I'm known as a sort of serious and melancholy cat. But, really, all of the hard times that I've had I've caused myself. You know, if I'd just get out of my own way, life would be a dream. And, you know, I find that more and more, I'm able to do that.

GARCIA-NAVARRO: James Taylor. The Audible original "Break Shot" is now available. And the album "American Standard" comes out February 28. Thank you very much.

TAYLOR: Thank you, Lulu.


TAYLOR: (Singing) You know that it's as easy as rolling off a log. It must be easy, baby, to say the sweet things you do. Transcript provided by NPR, Copyright NPR.