Ned Wharton

The band Woods has always incorporated diffuse influences, taking inspiration from lo-fi rock, Ethiopian jazz and psychedelic folk sounds. Guitarist and vocalist Jeremy Earl, who recently became a father, says his group's latest album, Strange To Explain was influenced by something else — a lack of sleep.

"Those first few months or first year of having a newborn kind of put me in a dreamlike state," he says. "And that was my escape: to start writing."

In this time of social distancing, hunkering down and chatting remotely, we might learn some new things about each other. For example, you might know Marin Alsop as the longtime music director of the Baltimore Symphony Orchestra, one of the leading figures in classical music around the world and a frequent guest on Weekend Edition. But you might not know that back in the 1980s, she also led a swing band.

Harry Nilsson's concept album The Point turns fifty this year; to celebrate, the 1971 animated film adapted from the music will be released digitally and on BluRay for the first time. Nilsson, a beloved if occasionally overlooked writer of late 1960s pop hits, died in 1994, but his strange and endearing fairy tale album still resonates with those that remember it.

James Taylor has been a household name for a long time now. Taylor was just 20-years-old when he released his self-titled debut in 1968; in the half century since then, he has sold over 100 million albums and cemented his status as one of the most successful American singer-songwriters.

Afrobeat will probably always be associated with one man, one time and one country — Fela Kuti, in late 1960s Nigeria. But for the past 20 years, Antibalas has been establishing Brooklyn, N.Y., as a new center of the Afrobeat universe. The band's seventh studio album was just released and it has a name that calls back to its martial arts origins: Fu Chronicles.

Drive-By Truckers' latest album, The Unraveling, is out this week, and it is the group's most political work to date, confronting some of America's most charged issues: church shootings, opioids, overdoses, racial violence and extremism.

Every Christmas Eve at exactly 3 p.m., the Chapel of King's College in Cambridge, England plays A Festival of Nine Lessons and Carols. The tradition began in 1918, and for decades it's been broadcast on the BBC and around the world. A commemorative recording of last year's Centenary Service has just been released; it was the last one conducted by Sir Stephen Cleobury, the choir's music director for 37 years, who died just last month on Nov. 22.

For Alzheimer's Awareness Month, accomplished flutist Eugenia Zukerman has released a new book called Like Falling Through a Cloud: A Lyrical Memoir. It chronicles her internal and emotional journey since a diagnosis of "cognitive difficulties" three years ago.

Just this past September, Zukerman was playing Claude Debussy's "Syrinx" — a piece she figures she's played more than 20,000 times since the age of 10 — when she drew a sudden blank. So although she can't always find the notes these days, Zukerman is persistent in finding the words.

Massive anti-government protests in Chile over the past few weeks have united demonstrators in song. Last week, up to a million people protesting in Santiago were joined by a cavalry of guitarists. They played a song called "El Derecho de Vivir en Paz," which once stood as an anthem for resistance against the brutal regime of Augusto Pinochet that began in 1973.

"It was really important to me to write about what happened," Mikaela Straus, the musician known as King Princess, says, referencing being thrust into a career that she wasn't as prepared for as she'd imagined.

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