Cray Bauxmont-Flynn

Host of Beyond the Art

Cray Bauxmont-Flynn is the host and creator of Beyond the Art.

An entrepreneur who has collaborated on international traveling exhibitions in Los Angeles, San Francisco, and New York City, Bauxmont-Flynn has spent a multitude of years in the design industry creating exceptional furniture collections for notable global hospitality brands.

With over 35 years experience in the design industry, he launched Amatoya, a Native American design studio and furniture collection in 2019, “a playful take on mid-century modernism based on his Native American cultural heritage”.

An enrolled tribal citizen of the Cherokee Nation and the Delaware Tribe of Indians, Bauxmont-Flynn incorporates his own cultural heritage within the Amatoya collection, thus translating elements into works that embody passion, integrity, quality, and beauty; yet maintain functionality and simplicity.

His mission is to elevate the exposure of Native American artistry and the cultural components it plays and inspires today’s Native artist and how they are using innovative techniques to create visual art, literature, mixed-medium, and installations to build on that tradition and reframe it in a modern context. Inspiring Culture, Heritage and the Native American spirit, he plans to provide a platform and outlet for the next generation of Native American artist and creators.

Beyond the Art started for a way to connect and showcase the diversity in the Native American art world. Making it in the art world is difficult, but he believes there’s a place for everyone and hopes that the vast assortment of voices on the program will inspire Native American art novice, enthusiasts and patrons everywhere.

Bauxmont-Flynn lives, works, and podcasts from Tulsa, and is always on the lookout for collaborators and art world leaders to feature.

Beyond the Art episodes:

Marie Watt: Weaving Tradition and Innovation in Indigenous Art

Renowned artist Marie Watt, a proud member of the Seneca Nation, invites us into her vibrant world of Indigenous art, where tradition meets innovation. With an extraordinary mix of text, textiles, beadwork, sculptures, and neon, Marie shares her journey from her early days at Willamette University to her transformative experiences at the Institute of American Indian Arts. Her art is a profound reflection of her Seneca identity, especially through the symbolic use of blankets, deeply rooted in her cultural heritage and personal narrative. Marie offers insights into the communal traditions reflected in her art, drawing from her experiences within the urban Indian community of the Pacific Northwest.Join us as we uncover the magic behind Marie's sewing circles, a practice that blossomed from necessity into a rich community-building exercise. These gatherings brim with storytelling and intergenerational exchange, emphasizing the connection between traditional beadwork and modern neon as evolving storytelling mediums. The episode also navigates the contemporary landscape of Indigenous art in prestigious collections, with language playing a crucial role in Marie's work. Themes such as "turtle," "island," and "companion species" challenge us to reconsider our relationships with nature, while cultural narratives and Marvin Gaye’s music inspire reflections on motherhood and community. Marie's narrative beautifully intertwines language and art, reshaping how we perceive familial and communal ties.
Exploring the Transformative Power of Native American Art with Laura J. Allen

Journey with us into the colorful and thought-provoking world of Native American art with our special guest, Laura J. Allen. As the Curator of Native American Art at the Montclair Art Museum, Laura shares her fascinating journey from the American Museum of Natural History to her current role, where she spearheads groundbreaking projects. She sheds light on the collaborative vision behind the reinstallation of MAM's Native American Art Collection, crafted in close consultation with a Native American Art Advisory Council. Laura’s passion for an artist-focused curatorial approach shines through in her work on exhibitions like Meryl McMaster Chronologies and From My Home to Yours, where themes of time disruption and inclusivity take center stage.We unravel the layers of creativity and cultural dialogue in exhibitions that merge historical and contemporary Native art forms, challenging colonial narratives and celebrating Indigenous knowledge. The episode features the thoughtful works of artists such as Holly Wilson and Nicholas Galanin, who engage with historical collections to critique misattributions and colonial suppression. Through powerful site-specific installations and narratives of dispossession and reconnection, the exhibitions aim to transform the museum space, fostering a dialogue between the past and present. With insights from creatives like Sine Austro and Sebastian Aubin, we explore how weaving serves as both a metaphor and a tool for storytelling in these exhibitions.Looking forward, the conversation also highlights the ongoing evolution of Indigenous textiles and fashion at MAM, emphasizing cultural expression and sovereignty. Laura delves into the complex process of selecting works from a vast collection while adhering to NAGPRA guidelines and collaborating with Indigenous communities. Exciting upcoming projects, such as a 2026 exhibition on Northwest Coast dress and textiles, promise to continue the museum’s commitment to highlighting the transformative power of contemporary Native American art. Through these vibrant discussions, we emphasize our dedication to deepening responsibilities to Native communities and exploring the potential of future exhibitions to promote justice and environmental stewardship.
Rediscovering Tlingit Traditions with Jennifer Younger

Join us for a captivating conversation with Jennifer Younger, a remarkable Tlingit metalwork and jewelry artist whose work has not only graced the cover of British Vogue but also resonates deeply with cultural significance. Jennifer shares her inspiring journey of reconnecting with her Tlingit heritage, driven by a desire to bridge the cultural gaps left by her grandmother’s boarding school experience. Her story is a powerful testament to the resurgence of cultural pride and revitalization among Indigenous communities, as seen through the eyes of her daughter who actively participates in Tlingit dance and language. This episode celebrates the importance of cultural continuity, showcasing how traditional practices are being reclaimed and celebrated within modern contexts.As we explore Jennifer's artistic vision, we delve into the nuances of cultural appropriation and the collaborative spirit that defines her work. Her innovative blend of floral designs with traditional form line art creates a unique narrative accessible to both Native and non-Native audiences. We discuss the challenges and triumphs of expanding her reach and fostering understanding through community support and open dialogue. Jennifer’s reflections on balancing traditional techniques with modern innovations offer a fascinating glimpse into the evolving landscape of metalwork and jewelry. Listen in as we celebrate her recent recognition as Jeweler of the Year and anticipate the future directions her inspiring career will take.