Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

The Grammy Awards' category for new artists has always been the Hufflepuff house of the event, a mishmash of eccentrics, high achievers and hard-working young music industry favorites. (Notorious category winners Milli Vanilli did work hard, just not at singing.) Rarely has the field clearly pointed toward an exciting new musical era. But this year, that's exactly what it suggests.

Songs Against The Suits

Nov 15, 2019

On Thursday night, Taylor Swift threw another volley in her ongoing battle with the two men she considers the captors of her legacy.

When Brandi Carlile decided to perform Joni Mitchell's 1971 album Blue in its entirety at Disney Hall – the primary home of the Los Angeles Philharmonic and the site of many classical music premieres — one reason was to remind the audience of the 75-year-old's near-singular status among popular musicians of the past half-century. "We didn't live in the time of Shakespeare, Rembrandt or Beethoven," she said before she began her October 14 performance. "But we live in the time of Joni Mitchell."

Sleater-Kinney took a lot of chances on its latest album, The Center Won't Hold, upending its much beloved sound to experiment with strange sonics, dark textures and surprising forms. The result is one of the most adventurous, exciting – and best – albums the band has ever made. We open this week's New Music Friday with a look at how and why The Center Won't Hold works and what the recent departure of drummer Janet Weiss means for the band at this point in its quarter-century long career.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.

The radio version of this story includes conversations with campers and counselors at girls' rock camps, where "Rebel Girl" has become essential listening. Hear the piece at the audio link .

Nearly 40 years into their career, The Flaming Lips remain remarkably ageless and endlessly creative. They return this week with another heady, psychedelic pop record inspired by a surreal art installation by frontman Wayne Coyne. On this week's New Music Friday, we climb inside the band's kaleidoscopic new record, The King's Mouth.

It's been eight years since Ed Sheeran released his 2011, career-launching EP, No. 5 Collaborations Project. Now his No. 6 Collaborations Project has arrived and it's a features-heavy flex that shows the singer can pretty much work with anyone, from the country rock of Chris Stapleton to Eminem, 50 Cent and Skrillex. We give a listen on this week's New Music Friday along with K.R.I.T. IZ HERE, Mississippi rapper Big K.R.I.T.'s followup to his 2010 mixtape K.R.I.T.

After giving us a series of baffling ads in the London Tube and the back pages of the Dallas Observer, Radiohead frontman Thom Yorke finally released his third solo album, ANIMA, on Thursday — meaning you won't have to listen to "Not The News" on speakerphone anymore. On this week's New Music Friday, we dive into Yorke's vivid dreamscape and its accompanying film, as well as The Black Keys' electrifying Let's Rock (their first record in five years), Freddie Gibbs and Madlib's fresh collab Bandana and more.

Here's a thing you should know before watching Rolling Thunder Revue: A Bob Dylan Story, Martin Scorsese's new Netflix documentary about one of the most notorious rock tours in the genre's history: Bob Dylan is messing with you. Dylan has been messing with people since his first braggadocio days in Greenwich Village, when his made-up tales of wandering the Southwest with a circus helped convince his friends in the folk scene that he was the real proletarian deal.

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