Last fall, the Nobel Committee for Literature announced that its newest honoree would be Bob Dylan, immediately generating heated debates on whether he deserved the prize. Dylan, in the midst of a tour at the time, did not acknowledge the prestigious honor, either in a statement or from the stage. After a week of nothing, a member of the academy that had given Dylan the honor called him "arrogant" and the situation "unprecedented." (Dylan, true to form, announced two weeks later that he had simply been rendered speechless and that he would, if possible, attend the ceremony. Patti Smith accepted the award in his stead.)
Amidst the criticism and his speechlessness, Dylan had been revisiting his own development. Nobody seemed to notice at the time, though proof of it has been out in plain view since late autumn. About a week-and-a-half after the Nobel announcement, during a tour stop in Tulsa, Okla. — where his own archives will live — Dylan paid a visit to the archives of Woody Guthrie, the artist who had as profound an influence on his artistic development as anyone.
Dylan's spokesperson and the director of the Woody Guthrie Center both confirmed his appearance to NPR. There is — as Dylan prepares to accept his award during a tour stop in Stockholm — a poetic something to the thought of him walking amongst the exhibits, recalling the childhood bedroom (in Hibbing, amid the taconite) where he listened to the polemic young Guthrie, far from speechless, sing songs of liberation.