Lars Gotrich

Black Tambourine, Velocity Girl, Lilys, Lorelei, Stereolab — these are just a few of the artists who released 7-inch singles on Slumberland Records in the late '80s and early '90s. That's a helluva run for any label, but also remarkably prescient, considering the simultaneously softer and stranger indie pop that would follow.

Tokyo, Japan is Kikagaku Moyo's home, but the wandering band looks to the world to make its psychedelic music. Rumbling hard-edged rock and acid folk are dipped into motorik rhythms and sitar drone, developed through the band's five-year discography and extensive tours in America and Europe.

Its fourth album, Masana Temples, took the band to Lisbon to work with jazz musician and producer Bruno Pernadas, where Kikagaku Moyo truly encompasses a state of psychedelia rather than any one trip. You can hear that in the genre-skipping joy that is "Dripping Sun."

You have not one, but several shades of black lipstick to match the varying shades of your dark void existence. You always rock Siouxsie Sioux eyeliner, even if it's just imprinted on your soul while you're staring listlessly in class or slogging away at a 9-to-5. You've had a comic-book crush on Dream from Sandman or "Hopey" from Love and Rockets for, like, ever.

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